Hi all! Just wanted to put up a quick post to share that I recently wrote a book review for the New York Times! I was asked to review two British fantasy imports, The Song from Somewhere Else by AF Harrold and The Apprentice Witch by James Nicol. The two books were very different from one another, and it was a real challenge to find a way to tie them together with a single idea. Here’s how I opened the piece:
The landscape of fantasy storytelling is changing rapidly. “World-building,” once the exclusive domain of fantasy novelists, is now a term more closely associated with movie and video game franchises. Special effects now rival anything we could imagine while reading on our own. And so perhaps fantasy literature will be forced to do what every medium must when challenged by something new: adapt. Just as the still camera set painting on a path toward abstraction, fantasy literature seems poised to move away from virtuosic world-building toward more interior and language-based storytelling — the sorts of things books do best.
To hear what I thought of the two books, I invite you to click the link to read the entire review. It was incredibly fun and far more challenging than I anticipated. I hope to do it again some time!
I had a young writer ask me for advice on how to weave exposition into her fantasy story. The “infodump” is a hurdle for every worldbuilding storyteller. Readers need to know certain things about the world, but they don’t want to be bogged down with endless exposition. I figured my answer might be worth posting here …
This month, a remarkable children’s book was released into the world. I’ve been a fan or Laurel Snyder’s writing for many years, but her latest book Orphan Island is on a different level. This is the sort of book that keeps other authors up at night. It’s THAT GOOD.
A summary from Goodreads:
On the island, everything is perfect. The sun rises in a sky filled with dancing shapes; the wind, water, and trees shelter and protect those who live there; when the nine children go to sleep in their cabins, it is with full stomachs and joy in their hearts. And only one thing ever changes: on that day, each year, when a boat appears from the mist upon the ocean carrying one young child to join them—and taking the eldest one away, never to be seen again.
I was asked to provide a blurb for the back cover of the book. Here’s what I said: “Orphan Island is a masterpiece—both timeless and immediate. Snyder’s book, like the island within it, contains all of the joys, wonders, and terrors of childhood. Every young reader needs this book; every grown reader needs it even more.”
GO READ IT!
I get a fair number of letters from readers wanting to know when the next Peter Nimble adventure will be coming out. I don’t have any immediate plans to write another Peter story, so in the meantime, here are some books I *strongly* recommend to people who liked Peter Nimble. All three of these titles are packed with adventure, danger, wordplay, and just the right amount of silliness. Check them out!
MAGIC MARKS THE SPOT – by Caroline Carlson
From Goodreads: Pirates! Magic! Treasure! A gargoyle? Caroline Carlson’s hilarious novel is perfect for fans of Lemony Snicket’s Series of Unfortunate Events and Trenton Lee Stewart’s Mysterious Benedict Society. Hilary Westfield has always dreamed of being a pirate. She can tread water for thirty-seven minutes. She can tie a knot faster than a fleet of sailors, and she already owns a rather pointy sword. There’s only one problem: The Very Nearly Honorable Leage of Pirates refuses to let any girl join their ranks of scourges and scallywags. But Hilary is not the kind of girl to take no for answer. To escape a life of petticoats and politeness at her stuffy finishing school, Hilary sets out in search of her own seaworthy adventure, where she gets swept up in a madcap quest involving a map without an X, a magical treasure that likely doesn’t exist, a talking gargoyle, a crew of misfit scallywags, and the most treacherous—and unexpected—villain on the High Seas. Written with uproarious wit and an inviting storyteller tone, the first book in Caroline Carlson’s quirky seafaring series is a piratical tale like no other
THE GOBLIN’S PUZZLE – by Andrew Chilton
Brimming with dragons, goblins, and logic puzzles, this middle-grade fantasy adventure is perfect for readers who enjoyed The Princess Bride or Rump.
THE BOY is a nameless slave on a mission to uncover his true destiny.
THE GOBLIN holds all the answers, but he’s too tricky to be trusted.
PLAIN ALICE is a bookish peasant girl carried off by a confused dragon.
And PRINCESS ALICE is the lucky girl who wasn’t kidnapped.
All four are tangled up in a sinister plot to take over the kingdom, and together they must face kind monsters, a cruel magician, and dozens of deathly boring palace bureaucrats. They’re a ragtag bunch, but with strength, courage, and plenty of deductive reasoning, they just might outwit the villains and crack the goblin’s puzzle.
THE LUCK UGLIES – by Paul Durham
The Luck Uglies is the first in a tween fantasy-adventure trilogy brimming with legends come to life, a charming wit, and a fantastic cast of characters-and is imbued throughout with the magic of storytelling.
Strange things are happening in Village Drowning, and a terrifying encounter has Rye O’Chanter convinced that the monstrous, supposedly extinct Bog Noblins have returned.
Now Rye’s only hope is an exiled secret society so notorious its name can’t be spoken aloud: the Luck Uglies. As Rye dives into Village Drowning’s maze of secrets, rules, and lies, she’ll discover the truth behind the village’s legends of outlaws and beasts…and that it may take a villain to save them from the monsters.
The first in a series, The Luck Uglies is an altogether irresistible cross of Lloyd Alexander’s Chronicles of Prydain, Stefan Bachmann’s The Peculiar, and Chris Healy’s The Hero’s Guide to Saving Your Kingdom, overflowing with adventure, secrets, friendship, and magic.
This season has been one of re-reading books from my past. This was not deliberate; it just seemed that every time I reached for a new book, the closest at hand was one I had read before.
I do not generally re-read books that often. Every five years or so, I find something that impresses me so much that I read it twice over. (Hokey Pokey would be the most recent example.) But beyond that, all my re-reading is the result of research or teaching. My typical attitude is breadth over depth. I tend to read one book from an author and then move on to the next thing.
However, this recent sprint of re-reads has forced me to reflect on what a pleasure it is to come back to a book after time off. To live inside a story more than is absolutely necessary. When I was younger, I re-read books all the time. At around 10 years old, I fell deeply in love with Through The Looking-Glass. (It actually began when I saw a staged musical version of the story.) I proceeded to read chapters from Looking-Glass every night before bed for the next 10 years. Now, when I look back that same book, I struggle to understand why it had so grabbed me. But I do feel a deep appreciation for the book and how it shaped my imagination.
When I think of re-reading, I am reminded of something Jacqueline Woodson once said in an NPR interview. Woodson was being asked to remark about the fact that her older sister was actually the serious reader in the family–and how strange it was that Woodson ended up being the one to devote her life to literature. I don’t have the transcript, but I recall her saying something about the fact that even though she did not read many books growing up, when she did read, she went deep. That’s something I can identify with. And it’s something I had forgotten about as of late.